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Elizabeth Vandiver, ‘“The best Greek poets used a kind of free verse”: the Imagists, vers libre, and ancient metrics’

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Reconstructing & Adapting Fragmentary Ancient Greek Tragedy: Methodologies & Challenges for Classicists and Theatre Practitioners

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The Literary Self: from Antiquity to the Digital Age

The Literary Self: from Antiquity to the Digital Age

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‘What Remains?’: Fascist and National Socialist Antiquities and Materialities from the Interwar Era to the Present Day

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Professor Martha Nussbaum on ‘Anger, Powerlessness, and the Politics of Blame’

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New films, old drama: an evening with Barefaced Greek

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Society for Neo-Latin Studies Postgraduate Event: Editing Neo-Latin Texts

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Classical Receptions in the Nineteenth Century

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Editing Contexts: Historical Editions of Literary Works and their Afterlives

Editing Contexts: Historical Editions of Literary Works and their Afterlives

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Misdirections and Misconceptions in the Theory and Practice of Greek and Roman Drama

Misdirections and Misconceptions in the Theory and Practice of Greek and Roman Drama

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Richard Whitaker, The Odyssey of Homer: A Southern African Translation

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Tea With The Sphinx: Reception of Ancient Egypt’s Myth, Magic, and Mysticism

Tea With The Sphinx: Reception of Ancient Egypt’s Myth, Magic, and Mysticism

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