Cambridge Classical Reception Seminar Series (CCRSS) Room G.21, Faculty of Classics Sidgwick Avenue, Cambridge As Marinetti best expressed, the pre-war avant-garde rejected the classical tradition with belligerence in its ‘dance towards the common apotheosis of the Future’. Subsequently, post-war art of the 1920s has been evaluated pessimistically; ‘abstract’ has been taken to be synonymous… Continue reading Sofia Greaves, ‘The mythic method. Subversive classicism in Giorgio de Chirico and British painting of the late 1920s’
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modernism
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