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  • October 2018

  • Wed 17

    Emma Cole, ‘Greek Tragedy and the Australian psyche’

    October 17, 2018 @ 5:30 pm UTC+0
    University of Manchester Manchester, United Kingdom

    Manchester and District Classical Association Public Lecture Series 2018-19 Dr Emma Cole (University of Bristol)…

    Continue reading Emma Cole, ‘Greek Tragedy and the Australian psyche’
  • Wed 24

    ‘On Translating Sappho’, Josephine Balmer

    October 24, 2018 @ 4:00 pm UTC+0
    University of Birmingham Edgbaston, Birmingham, United Kingdom

    Research Seminar, Department of Classics, Ancient History and Archaeology at the University of Birmingham. Arts 201…

    Continue reading ‘On Translating Sappho’, Josephine Balmer
  • Wed 24

    Jen Grove, ‘From EP Warren to Alfred Kinsey: Collecting Classical Erotica and Theorising Sexuality in the first half of the 20th century’

    October 24, 2018 @ 4:00 pm UTC+0
    University of Reading Reading, United Kingdom

    University of Reading, Classics Research Seminar Jen Grove (Exeter): ‘From EP Warren to Alfred Kinsey:…

    Continue reading Jen Grove, ‘From EP Warren to Alfred Kinsey: Collecting Classical Erotica and Theorising Sexuality in the first half of the 20th century’
  • Thu 25

    MANIAS: Modern Desires for Greek Pasts

    October 25, 2018 @ 6:00 pm UTC+0
    British Academy 10 Carlton House Terrace, London, United Kingdom

    A panel discussion with Prof Liz Prettejohn (York), Prof Nicoletta Momigliano (Bristol), Dr Katherine Harloe…

    Continue reading MANIAS: Modern Desires for Greek Pasts
  • Wed 31

    Amanda Wrigley, ‘Oral Poetry and the Aural Imagination: Homer, Modern Poets and Radio’

    October 31, 2018 @ 4:00 pm UTC+0
    University of Reading Reading, United Kingdom

    University of Reading Classics Research Seminar Amanda Wrigley (Reading): ‘Oral Poetry and the Aural Imagination:…

    Continue reading Amanda Wrigley, ‘Oral Poetry and the Aural Imagination: Homer, Modern Poets and Radio’
  • November 2018

  • Tue 6

    Tales from the Odyssey, Daniel Morden

    November 6, 2018 @ 7:00 pm UTC+0
    Badminton School Westbury Road, Bristol

    Bristol Classical Association Daniel was recently awarded the Hay Festival Medal for his contribution to…

    Continue reading Tales from the Odyssey, Daniel Morden
  • Wed 14

    The Reception of Greek Ethics in Late Antiquity and Byzantium: Continuities and Transformations

    November 14, 2018
    Corpus Christi College Merton Street, Oxford, United Kingdom

    Description: The conference will look at writings on ethics and morality from Late Antiquity and…

    Continue reading The Reception of Greek Ethics in Late Antiquity and Byzantium: Continuities and Transformations
  • Tue 20

    Maxine Lewis, ‘Censoring Juventius? The reception of Catullus’ homoerotic poems by Tiffany Atkinson, Nathaniel Moore and C. K. Stead’

    November 20, 2018 @ 5:15 pm UTC+0
    Classics Faculty, Cambridge Sidgwick Avenue, Cambridge, United Kingdom

    'Censoring Juventius? The reception of Catullus’ homoerotic poems by Tiffany Atkinson, Nathaniel Moore and C.…

    Continue reading Maxine Lewis, ‘Censoring Juventius? The reception of Catullus’ homoerotic poems by Tiffany Atkinson, Nathaniel Moore and C. K. Stead’
  • Wed 28

    Naoise MacSweeney, ‘‘Classics in contemporary political discourse – a global vision?’

    November 28, 2018 @ 4:00 pm UTC+0
    University of Reading Reading, United Kingdom

    University of Reading Classics Research Seminar Naoise Mac Sweeney (Leicester): ‘Classics in contemporary political discourse…

    Continue reading Naoise MacSweeney, ‘‘Classics in contemporary political discourse – a global vision?’
  • December 2018

  • Wed 5

    Katherine Harloe, ‘”A Useless, Pedantic, Ambiguous Rhapsodist”? Johann Joachim Winckelmann’s Reception in Great Britain.’

    December 5, 2018 @ 5:30 pm UTC+0
    University of Manchester Manchester, United Kingdom

    Manchester and District Classical Association Public Lecture Series 2018-19 Dr Katherine Harloe (University of Reading)…

    Continue reading Katherine Harloe, ‘”A Useless, Pedantic, Ambiguous Rhapsodist”? Johann Joachim Winckelmann’s Reception in Great Britain.’
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