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Translating Greek Tragedy in 16th-century Europe
December 14, 2018 @ 10:00 am - 8:00 pm UTC+0
St Hilda’s College (Oxford) – Vernon Harcourt Room
(APGRD, La Réunion and St Hilda’s)
Programme:
10.00-10.30 Registration and Coffee (Vernon Harcourt Room)
10.30-11.00 Welcome from Fiona Macintosh and the organizers; presentation of APGRD Translating Ancient Drama project by Cécile Dudouyt
11.00-12.00 Southern Europe I – Chair: Sarah Knight (Leicester)
Elia Borza (Université Catholique de Louvain) – Neo-Latin Sophocles; an Overview of the Neo-Latin Translations of Sophocles in Renaissance Europe
Giovanna Di Martino (Oxford) – Theatre Translation and Aeschylus in Early Modern Italy: three case studies
12.00-12.15 Coffee Break
12.15-1.15 Southern Europe II – Chair: Blair Hoxby (Stanford)
Claudia Cuzzotti (Independent) – The Hecuba by Michelangelo the Younger (1568-1647): translation and adaptation of Greek tragedy in the Italian Renaissance
Luísa Resende (Coimbra) – Sophocles in sixteenth-century Portugal. Aires Vitória’s Tragédia del Rei Agaménom
1.15-2.30 Lunch
2.30-3.50 Northern Europe I – Chair: Blair Hoxby (Stanford)
Malika Bastin-Hammou (Université Grenoble Alpes) – Translating Greek (para)tragedy in the Renaissance
Thomas Baier (Würzburg) – Camerarius on Greek Tragedy
Angelica Vedelago (Padua) – Thomas Watson’s Antigone: the didacticism of Neo-Latin academic drama
3.50-4.10 Coffee Break
4.10-5.30 Northern Europe II – Chair: Tiphaine Karsenti (Paris X)
Cécile Dudouyt (Paris 13) – Translating and Play-writing: Robert Garnier’s patchwork technique
Tristan Alonge (Université de la Réunion) – Praising the King, Raising the Dauphin: an unknown sixteenth-century French translation from Euripides recovered
Tanya Pollard (CUNY) – Translating and Transgendering Greek Heroines in Early Modern England
5.30-6.30 Plenary led by Stuart Gillespie (Glasgow)
6.30-7.45 Drinks Reception (Senior Common Room): book launch of Epic Performances from the Middle Ages into the Twenty-First Century, eds. Fiona Macintosh, Justine McConnell, Stephen Harrison and Claire Kenward (OUP 2018)